If you’re a church musician and you’ve read any guidebook on liturgical music, or if you’ve attended any workshop on the subject, then you know that music in the liturgy is not meant to be a performance. Its purpose is to raise the mind to God. At the same time, a church musician employs the techniques of performance to achieve the desired goal, the same way a Priest might employ the techniques of good public speaking to deliver a compelling homily. Now when a minister—be it the lector, the cantor, or even the Priest himself—does a good job and is perhaps even a bit charismatic (cause who doesn’t love charisma, right?), it’s easy to fall into the trap of making that, rather than God, the object of our attention. It seems to be the eternal struggle, for church musicians especially, to carry out their work in a skillful enough way that raises the mind to God, but not to the point of diverting undue attention to themselves.
St. Augustine was no stranger to that struggle. In Book 10 of his Confessions, Augustine grapples with two opposing poles: one on hand, he acknowledges how singing has the power to convey the words of God in a unique way, and on the other hand, he recognizes the tendency to focus more on the singing than on the word of God. Aaaaaand here comes a long quotation, just cause I love sharing Augustine’s musings:
The delights of the ear had more powerfully inveigled and conquered me, but You unbound and liberate me. Now, in those airs which Your words breathe soul into, when sung with a sweet and trained voice, do I somewhat repose; yet not so as to cling to them, but so as to free myself when I wish. But with the words which are their life do they, that they may gain admission into me, strive after a place of some honour in my heart; and I can hardly assign them a fitting one. Sometimes I appear to myself to give them more respect than, is fitting, as I perceive that our minds are more devoutly and earnestly elevated into a flame of piety by the holy words themselves when they are thus sung, than when they are not; and that all affections of our spirit, by their own diversity, have their appropriate measures in the voice and singing, wherewith by I know not what secret relationship they are stimulated. But the gratification of my flesh, to which the mind ought never to be given over to be enervated, often beguiles me, while the sense does not so attend on reason as to follow her patiently; but having gained admission merely for her sake, it strives even to run on before her, and be her leader. Thus in these things do I sin unknowing, but afterwards do I know it… Notwithstanding, when I call to mind the tears I shed at the songs of Your Church, at the outset of my recovered faith, and how even now I am moved not by the singing but by what is sung, when they are sung with a clear and skillfully modulated voice, I then acknowledge the great utility of this custom. Thus vacillate I between dangerous pleasure and tried soundness; being inclined rather (though I pronounce no irrevocable opinion upon the subject) to approve of the use of singing in the church, that so by the delights of the ear the weaker minds may be stimulated to a devotional frame. Yet when it happens to me to be more moved by the singing than by what is sung, I confess myself to have sinned criminally, and then I would rather not have heard the singing. See now the condition I am in!
- St. Augustine, Confessions, Book X, Ch. 33
See this is why I love Augustine—he reminds me that I’m not the only overthinker in the room! That said, I might respectfully disagree with him on two points: Firstly, I wouldn’t go so far as to say that someone has “sinned criminally” if they just so happen to be “more moved by the singing than by what is sung.” Feelings, as the Catechism teaches, “are not decisive for the morality or the holiness of persons…” (CCC 1768). I wonder if Augustine might have had just a little too much… ahem… Catholic guilt… ahem. But I can definitely relate to the struggle of getting caught up in examining one’s motivations, asking oneself “am I doing this for the right reasons?”, or “am I only telling myself that I’m doing this for X-reason when really I’m doing it for Y-reason?”, and perhaps even losing a bit of sleep over such inquiries. I imagine Augustine up in Heaven might cringe if he ever heard a parishioner say, “I only come to Mass for the music…” Thankfully, at least from what I’ve read, cringing does not appear to be a thing in Heaven!
Secondly, I wouldn’t necessarily say that using “the delights of the ear” to stimulate devotion is for “weaker minds.” One does not need a degree in music theory to know that different types of music affect different types of people in different ways, regardless of one’s strength of mind. I know some very intelligent Catholics who use the delights of the ear to stimulate devotion! If music helps you to worship, I’d say go with it. If it distracts you from worship, I’d say drop it. And if you’re not sure if it helps you or distracts you because you feel paranoid about your blind spots and get caught in a spiral of self-examination where you wonder if you’re still using it for God or simply for the thrill of it, then I’d say… umm… ask St. Augustine haha.
This August, we celebrate the Feast of… you guessed it… St. Augustine! That’s on August 28th. I think the good Bishop of Hippo would appreciate if we all took a moment to examine our internal attitudes toward the music at Mass—but please don’t lose sleep over it! I think one very good way to promote an attitude of treating liturgical music as prayer and not performance would be to… ahem… ahem………… not applaud after a song… ahem. And if the site-building tool for this website allowed me to insert emojis, I would have totally placed at least three smiley emojis after that!
Finally, during this month, we also celebrate the Solemnity of the Assumption of the Blessed Virgin Mary. That’s on August 15th. On that note, I’d like to make a little plug: At the 6:30 PM Mass on August 15th, my amazing friend Caroline Walsh will be providing music. Caroline both sings and plays the flute like an angel, so I’m excited for the opportunity to accompany her on piano. I may have to mentally prepare myself so that I don’t end up “more moved by the singing than what by what is sung…” Below is a video of Caroline singing a congregational favorite, On Eagle’s Wings.
With my peace,
Carlo Serrano, Music Director